I took the metro to the Central Station and wandered a bit, eventually finding the Museum of Mediterranean and Near Eastern Antiquities. The sign for a tattoo exhibit caught my eye, and I went in.


I took the metro to the Central Station and wandered a bit, eventually finding the Museum of Mediterranean and Near Eastern Antiquities. The sign for a tattoo exhibit caught my eye, and I went in.


The photo above shows Gustav III, son of Queen Louisa Ulrika. He points to the heavens to indicate that he is connected to God. 
The best exhibit I've seen so far (and one of the top ten ever) is this one by Britta Marakatt-Labba. Her work consists of tiny embroidery and/or applique stitches on linen. It's hard to show her unusual and impactful work in my photos, but her themes are preserving migration, her culture, and her homeland. In a way, it was a stunning plea for help to save her culture and the world.
As I walked back to the bus, I found this interesting commentary on the Skeppsholmen Bridge:
The Modern Art Museum is on another island, but I was able to hop on the #76 bus and get fairly close. The buses in Stockholm have their own lanes, and they go under the streets in tunnels at various points.

Above is my view from the cafe.
As I entered the first exhibit, I noticed a strange plopping, gurgling noise. As I turned around, I realized it was Robert Rauschenberg's Mud Muse:
These pieces reminded me of hermit crabs:
Louise Bourgeois is known for her towering metal spider sculptures. I've never seen any other work by her that wasn't in metal. This piece was very unusual.